INDUSTRY TALK: Rihanna Gets Fast & Furious!

Fresh off her debut acting gig in the blockbuster flim, "Battleship", it seems Rihanna has been cast in the role as a villain in the upcoming "Fast & Furious 6". Apparently, our Bajan princess is unstoppable: She's been on top of the music world with hit after hit since 2005, she is a constantly a trendsetter in the fashion world and now, a movie star. If I was her, I would have taken the "red pill" too!

As a fellow Barbadian I just want to send nothing but blessings and support to Rihanna. Though some of us Bajans cry foul and openly disapprove of what some call raunchy behaviour, me I'm open minded and think she should just keep doing her. Not to mention the fact that since her music has taken on a much harder edge, I'm hoping I can get her to check out the rap beats I'm slingin' LOL!

MONEY TALK: The REAL Young Money

Okay don't get excited by the title, this has nothing to do with Drake or Li'l Wayne. The video above is from Forbes and it gives you a look at some of the world's billionaires under 40. That's right. Actually most of these guys are in their mid 30s and a few of them, namely the Facebook crew, are actually not quite 30 yet!

This is pure inspiration to anyone under 40 (most of you reading this probably are). Whether you rap, sing, make rap beats (or any genre), write software, write books/articles/poetry or you're just a good salesman and an all around hustler, recognize that these guys all had ideas and dreams and through whatever means (foul or otherwise) did not give up until those dreams were reality.

So if you are a rapper or singer, don't hesitate to invest in yourself. Save some cash , buy some beats online (they are quite affordable), pay for studio time and get serious with your career. If you have any other type of skill, the time is now to stop relying on handouts, charity or a paycheck. Get up and get yours!

INDUSTRY TALK: The Definition of "MC"

Throughout the years, I have been privy to many a debate on this topic. I have been a connoisseur of fine hip hop since the late 80s and many of my peers respect me as an authority on the subject. That aside, I've noticed that peoples' opinions of what an MC supposed to be, within a Hip Hop context, tend to differ somewhat. On the day when we remember the late, great Christopher Wallace aka The Notorious B.I.G, I thought I would deal with this issue a bit.

So I recently saw some of my peoples in a facebook group arguing (kinda) over whether a certain rap artist can be considered an MC (Nicki Minaj -__-). Some people said that she's not a good lyricist and therefore she should never hold that title. Well is this really true? Does being lyrical equate to being a real MC? It's all about perspective really. At the beginning of Hip Hop, the term MC implied "one who moved the crowd". It was actually closer akin in definition to the dictionary meaning "Master of Ceremonies". The earliest Hip Hop showcases were not so much about the rapper, as it was about the entire culture. The MC in those days basically hyped up the crowd with simple party styled lyrics ("throw ya hands in the air, and wave 'em like you just don't care") while the DJ did his thing on the wheels. Even the early songs by Kurtis Blow, Grandmaster Flash and The Sugar Hill Gang were not lyrical by today's standards but they did in fact move the crowd. We could even argue about what "lyrical" means, as many people may say that the Furious Five's "The Message" was a lyrical song simply because of how they brought across the subject matter.

Fast forward to now. It's 2012 and the game has been significantly changed, time and time again. Now the most revered MCs are the lyricists (I use MC and not rapper. A rapper can be anyone who raps. Many rappers exist and are chart toppers not because of skill but because of marketing). As time progressed, MCs such as Big L, Kool G Rap, Biggie, Pac, Nas, Jay-Z, Common, yasiin bey (Mos Def) and others have made music that redefined how we judge an MC. Nowadays, if you're not lyrical, your "MC" status is dubious at best (except in the eyes of MTV). The use of metaphor, double entendre and punchlines is now a vital part of being an MC.

Even now in a time where success as a rap artist seems to be dependent on your marketing and your beats, real hip hoppers understand what it takes to be an MC. The real reason why I would say that being and MC now requires lyricism is because in many circles, that is how you 'move the crowd'. Even some of the most popular mainstream artists, such as L'il Wayne and Drake, are top notch MCs because of what they say and how they say it.

To any rappers or MCs reading this, aspiring or established, I hope it helps in some way. To the indie artists longing to claim your place among the greats like B.I.G, study your craft and do worry about hot beats. The beats are everywhere now and you don't need to have a Timberland sized budget to get them. Simply grab your debit/credit card and buy beats online. Respect the art. Peace.

R.I.P

Christopher George Latore Wallace

May 21, 1972 - March 9, 1997

INDUSTRY TALK: Hot New Consequence ft Busta Rhymes (Beat is CRAZY)

Real hip hop seeps back into our lives every once in a while. This Native Tongues reminiscent track (If you don't know what I mean by Native Tongues, never listen to hip hop again -__-) is refreshing, with the Dungeon Dragon Godfather and the heavily underrated microphone virtuoso showing the younger cats how it should be done! The beat is insane too! Well produced. I'm not totally a fan of the mix but in some cases these things are simply a matter of taste.

If you enjoy hip hop of this nature and/or your are an artist looking for REAL hip hop beats online, visit my beats page. Nuff said

Source for this track and info: Mr. X at Nahright.com

INDUSTRY TALK: How to Start Off Your Music Career with a BANG!

 [/caption] I've produced and helped alot of independent artists for the past few years. Some of them have received critical acclaim, radio play and even financial success while others remained in obscurity. The reasons for this disparity are varied, however, there is one thing which we all know for sure: marketing methods for artists in 2012 are way different to what they were 5 years ago. In order to have a successful impact with your first single release, there are a few things I believe that you need to do. I won't go into the conventional, outdated methods because, let's face it, times are changing than a Usain Bolt sprint these days. These are some of the tings I suggest for artists releasing music in this present era:

• Choosing the right beats. Understand what type of artist you want to be and thus the market you want to capture. Choose beats that not only suit you as an artist, but also embody the prevailing trends of a "hit" in your chosen genre. Personally, I would suggest using a beat that is a bit on the cutting edge of the popular style, since people these days are always looking for something familiar, yet fresh and new. Buying beats online is the best option for shopping around, as there are plenty of websites to suit most styles.

• Give your single away for free download. If you don't already have an established and paying fan base, then upload your song (we're assuming it's blazing hot and people will want to have it) to sites like Mediafire or Hulkshare and start tweeting and plus-one-ing and facebooking your download link like crazy. Don't spam people though, make it tasteful and not excessive. Giving away something for free is a sure way to garner interest, build your fan base and give people an incentive to actually buy when you do have something for sale.

• Go viral. Get an affordable HD camera (if you are a do-it-yourself-er) and shoot and edit a simple but clean and impressive video for your single, otherwise find an affordable video guy and get him to do it. Upload that thing to youtube and get to sharing. Signing up to active communities such as ThisIs50 can help you as you share your video and try to get its views up. People like to listen but in this era, connecting with your fans visually is priceless!

• Spend money to make money. It's an old adage but it's still relevant. Shell out a little cash for some hosting and a domain name and put up a simple Wordpress site to showcase or even sell your music. Or simply sign up on Bandcamp. Then the next thing to do would be to buy some banner advertising and place it in high traffic areas, such as online forums where your target market would congregate. Make sure your videos contain your web links as well. This rule also applies to beats. Don't just seek out free beats, spend the extra couple dollars to buy the tagless beat lease or even the exclusive rights. This speaks to how serious you take yourself and in turn, the universe and the people in it will take you just as seriously.

Ok that was a mouthful but I thought it was needed. The key here is to take yourself and your music career seriously. Turn a hobby into an income generator. I did and so can you.

INDUSTRY TALK: Five STUPID Things to Avoid When Becoming a Music Artist

I come into contact with aspiring artists all the time, as I am a music producer. While i'm not as successful as Timbaland or Dr. Dre in terms of international acclaim and exposure, my experience and associations are rich, strong and go back for many years. Now there are certain things I find to be common among inexperienced artists. The ones I'm about to talk about in particular just PISS ME OFF! These are 5 common ways I've seen artists take an epic tumble towards NOWHERE in terms of their music careers:

• Claiming to be too broke to invest in your music, yet you always have the latest Jordans. Seriously. What the f*ck. I can't tell you how many times I've heard an artist say that he/she can't afford to pay for studio time or even spend $15 to lease beats online. If you don't show that you are serious and willing to invest in yourself and your chosen career, how can you expect someone else to do it?

• Trying to get 'signed'. In this day and age every unsigned artist should be educated enough about the present state of the industry to know that it is futile to sit and wait for a magical deal to appear simply because simply because they sent in a demo. (A demo? Really? Who the f*ck does that?). Begin to grind on your own and establish your own real movement. Use the social media tools at your disposal and MAKE people notice you.

• Creating in your own little bubble. Ok so just because you think it's epic doesn't mean the world will always share your view. No man is an island (a cliche but a truth). I've found that drawing real inspiration from around you is vital, whether it be other artists music, people around you or just your natural environment. Open and expand your mind and understand what makes things and people tick. That will help make you a better artist.

• Procrastination. That's a no brainer. Seize opportunities and avenues when they show themselves. Makes no sense to sit and say 'I'll catch that when it comes around again' because it just might not.

• Last but not least (drumroll please): Using WACK ass beats. Obviously, everyone won't like the same type of beats and what's regarded as good can be a matter of opinion. However, there is a certain standard one should adhere to and there are beats that make you go 'who produced that sh*t? elmo?' Listen to the trends in music and understand the styles that garner the most positive attention. If you're into hip hop then you should know what feels hot when you hear it. Now comes the shameless self promotion. You can solve this particular problem by going to the best place to buy beats online, my site Stratcater.com.

This is Strat signing out. Hope this helped at least one person! Blessings coming to you live from the Stratosphere.